← Seth Putnam

I'll be your mirror

May 1, 2026 · originally on Shelter

Still thinking about my trip abroad two weeks later. The scene opens on me, in London listening to the Kooks and flouncing down Greek Street from high culture (the theatre) to lowbrow (the dive). Jump scare to me, at home, sitting on the toilet reading that Banksy’s true identity has finally been revealed and the Atlantic current is about to collapse. The shock of re-entry.

As I’ve thought more about the way I travel now, I’ve realized that there are six key things I want out of a trip:

  1. A ritual: As covered last week, this was a trip to a temple of football, but anywhere else it could be to a sauna.

  2. An errand: Something I need in normal life. A trip to a stationery store to get an ink refill for the Pilot Kakuna fountain pen I use when journaling. A re-waxing of the Barbour jacket in its home country. This gets back to the idea of vacating your life at home, and simply living it elsewhere for a time (which I have written about before).

  3. A memento: A gold chain at the open-air vintage market in Camden, or a pin to add some flair to the jacket.

  4. A gift: For the boy, it was a giant William Saliba poster included in the matchday programme. For the girl, an enamel pin in the shape of a cannon. For the wife who so graciously blessed this trip and created the time for it to happen, books and vinyl by British artists — all part of our project to turn our living room into a library that houses our personal canons. (The subject of next week’s newsletter.)

  5. A pastoral moment: A bike ride is always a good idea. If there’s water, even better: a boat picnic is a guaranteed recipe no matter if it’s from Marina Towers on the Chicago River or the Regent’s Canal in Paddington. Simply seeing and being, while moving through a place, is enough.

  6. A side quest: It would be hard to top the night out at Bemelmans Bar in New York. Or the time I found myself karaoke-ing Franki Valli with the barman in the belly of a mall in San Francisco’s Japantown. But I am always trying, and in London, a descent into Trisha’s (an 84-year-old basement gambling den in Soho you’ll be reading more about in a moment) got me close.

And now, some thoughts that are likely to be a bit more controversial. I have traveled a lot, but this was the first time with AI.

In Peru, Ireland, France, and the U.K. before 2008, I relied on maps, guidebooks, and local recommendations as gospel. By Brazil and Israel in 2014, I had a global internet plan in my pocket that made it easy to pore over reviews and photos — the optimization of everything all but eliminating the serendipitous drop-in.

Now in London, my electronic familiar responded instantly and never tired of my incessant qualifying questions or geographical pivots, suggesting that I take a punt on a £20 standing ticket to see Sadie Sink’s Juliet and Noah Jupe’s Romeo.

In the end I took a hybrid approach:

Predictably, Claude also got a lot of things wrong, serving up out-of-date information about permanently closed destinations. However, this wasn’t altogether different from TripAdvisor, which indicated French House was closed on Mondays and Tuesdays (which was the opposite of true). I avoided calamitous detours through fact-checking.

But what strikes me is that, for the first time, I found myself in conversation with an itinerary that could talk back. It raised perverse and often baffling questions:

I believe that finding the right local is always a better way to sniff out an adventure. But one thing I find undeniably curious is that as a travel tool, an LLM offers a Nico-esque, mirror-like quality quality that can be of value…to the extent you find self-reflection valuable. It had an answer ready to go when I asked it to describe my travel philosophy:

Here, caught squarely between the infinite peril and infinite promise of this new era, I am finding the value of synthetic intelligence depends entirely on intention and effort. Claude is a looking glass no guidebook or online review can match, but only if I’ve put myself into it first.


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Seth Putnam is an editor and writer in Chicago. He lives with his wife, son, and daughter in a 1920s home that is the epitome of a work in progress.


“Instructions for living a life: Pay attention. Be astonished. Tell about it.” —Mary Oliver